Almost exactly two years after the D80 was  announced comes its replacement, the rather predictably named D90. The  D80 has been one of Nikon's quiet successes, and even today, despite  being positively Methuselah-like in digital camera terms it continues to  sell and often makes its way into our top 10 most clicked on cameras.  Because it looks so similar to the D80 the D90 appears at first glance  to be one of those rather subdued incremental upgrades, but dig a little  deeper and you'll find there's plenty to keep Nikon fans happy.
First and foremost there's a new CMOS sensor,  which Nikon claim produces D300 quality output at up to ISO 6400 and -  one of several features to 'trickle down' from higher models - the same  highly acclaimed 3.0-inch VGA screen as the D3/D300. Naturally it has  Live View with contrast-detect AF and it would have been surprising had  it not sported some form of dust removal system. More surprising is the  inclusion of the world's first DSLR movie mode (720p HDTV quality, no  less) and HDMI output, though as we'll see later it does come with some  limitations. A lot of the core photographic spec is the same as or very  similar to the D80, though there is a new shutter and an implementation  of the 3D tracking AF seen on the D3/D300. 
And it's not just the high end models that have  lent features and technology to the D90; the user interface has been  given the same user-friendly treatment as the D60, as have the  retouching options. As it was explained to us the D90 is intended to  appeal to the broadest audience of any Nikon SLR, from first-time 'step  up' customers moving from a compact to serious amateurs wanting  comprehensive photographic control without the cost and weight of a  D300. Whether the D90 is as capable as its feature set suggests, we'll  see as the review unfolds.
 
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